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DESCRIPTION:--- This iCal file does *NOT* confirm registration.\nEvent det
 ails subject to change. ---\nhttps://www.nyemmys.org/events/586/\n\nEvent 
 Title: Meet the Filmmaker: Fax Bahr\nStart Date / Time: Jan 24, 2013 13:00
  PM US/Eastern\nLocation: NY NATAS\nSpeaker: \nGoogle\nhttp://maps.google.
 com/maps?q=1375+Broadway,+Suite+2103,New York,NY,10018\n\nForecast\nhttp:/
 /www.weather.com/weather/monthly/10018\n\n\n	Meet the Filmmaker: Fax Bahr\
 n\n	&ldquo\;Hearts of Darkness&rdquo\;\n\n	Date: Thursday, January 24, 201
 3\n\n	Location: NY NATAS, 1375 Broadway (between 37th and 38th Streets), S
 uite 2103\n\n	Reception: 6:00-6:30 PM ~ Program: 6:30-8:00 PM\n\n	\n	\n\n	
 *Free to NY NATAS Members! \n\n	$15 for those without current NY NATAS mem
 bership.\n\n	\n	\n\n	\n		&quot\;Hearts of Darkness&quot\;\n	\n		Produced &
 amp\; Moderated by Sumner Jules Glimcher.\n	\n		\n		\n	\n		When Francis Co
 ppola decided to make Apocalypse Now, he hired his wife Eleanor to shoot a
  behind-the-scenes documentary covering the production.  She was given ext
 raordinary access to both her husband and the other key creative ensemble 
 members, throughout the entire process. By all accounts the making of the 
 film was a war unto itself.  An original 16 week production schedule ballo
 oned to 265 days of principle photography, delayed by myriad problems incl
 uding a typhoon, a heart attack suffered by lead actor Martin Sheen, strug
 gles with financing, with Marlon Brando, and with the ending of the script
 .  Eleanor shot over 80 hours of film on set, and recorded countless hours
  of audiotape.  After Apocalypse Now was finally released in 1979, several
  attempts were made to cut the documentary.  Eventually, the project was a
 bandoned.  Eleanor&rsquo\;s footage sat in a Zoetrope storage unit for nea
 rly 10 years, until filmmakers Fax Bahr, George Zaloom, and Doug Claybourn
 e secured financing, and put together the documentary. Hearts of Darkness 
 is an insider&rsquo\;s view of the making of Apocalypse Now, one of the mo
 st controversial films of the 1970&rsquo\;s. The 96-minute film covers the
  extraordinary story, from pre-production through its release.  Interviews
  with the principal creative team include George Lucas, Dennis Hopper, Joh
 n Milius, Francis Coppola, Eleanor Coppola, Martin Sheen...\n	\n		\n		\n	\
 n		Director&rsquo\;s Statement:\n	\n		&ldquo\;In choosing a story that tra
 nsposed Joseph Conrad&rsquo\;s masterpiece &ldquo\;Hearts of Darkness&rdqu
 o\; to America&rsquo\;s war in Vietnam, Coppola intended to probe a dark h
 our of US history.  The upriver journey of Colonel Willard into the madnes
 s of the jungle, and into the depths of his own heart, was sure to strike 
 a sensitive chord with the American psyche.  As the production snowballed 
 into a seemingly unstoppable catastrophe, Coppola&rsquo\;s personal journe
 y began to parallel that of his main character.  Hearts of Darkness is the
  story of the relentless pursuit of an artistic vision, an obsession that 
 profoundly changed the lives of everyone connected to it.&rdquo\;  Fax Bah
 r has written, executive produced and directed for both television and mot
 ion pictures. He wrote and directed for Fox Television&rsquo\;s landmark c
 omedy series In Living Color, created Mad TV, The Jamie Kennedy Experiment
 , as well as many other series.  He co-wrote and produced Malibu&rsquo\;s 
 Most Wanted. Hearts of Darkness premiered at the Cannes Film Festival and 
 won many awards, including National Board of Review Best Documentary, Nati
 onal Board of Canada Best Documentary, and a Best Director Emmy Award for 
 Bahr.  Gene Siskel called it &ldquo\;one of the best films of 1991&rdquo\;
 .  Bahr has guest-lectured at University Of Southern California.  He curre
 ntly resides in Los Angeles, where he is writing Defriended, a screenplay 
 for Escape Artists/Sony Pictures, and a mini-series based on the life of M
 iguel Cervantes.\n	\n		\n		\n	\n		RESERVATIONS REQUIRED DUE TO BUILDING SE
 CURITY. ALL NAMES MUST BE ON GUEST LIST. Please RSVP via email info@nyemmy
 s.org to reserve a seat. Please write &ldquo\;Darkness&rdquo\; in the subj
 ect line. Space is limited.\n\n\n\n\n\n--- This iCal file does *NOT* confi
 rm registration.Event details subject to change. ---\n\n--- By Tendenci - 
 The Open Source AMS for Associations ---\n
UID:uid586@nyemmys.org
SUMMARY:Meet the Filmmaker: Fax Bahr
DTSTART:20130124T180000Z
DTEND:20130124T200000Z
CLASS:PUBLIC
PRIORITY:5
DTSTAMP:20260407T215612Z
TRANSP:OPAQUE
SEQUENCE:0
LOCATION:NY NATAS
X-ALT-DESC;FMTTYPE=text/html:<div>--- This iCal file does *NOT* confirm re
 gistration.Event details subject to change. ---</div><h1>Event Title: Meet
  the Filmmaker: Fax Bahr</h1><div>https://www.nyemmys.org/events/586/</div
 ><br /><div>When: Jan 24, 2013 13:00 PM US/Eastern</div><div>Speaker: </di
 v><br />NY NATAS<br />1375 Broadway, Suite 2103<br />New York, NY 10018<br
  /><div>http://maps.google.com/maps?q=1375+Broadway,+Suite+2103,New York,N
 Y,10018</div><br /><div>Forecast: http://www.weather.com/weather/monthly/1
 0018</div><br /><br /><div><h2> 	<span style="font-size:16px\;"><span styl
 e="color: rgb(128, 0, 128)\;"><strong>Meet the Filmmaker: Fax Bahr</strong
 ></span></span></h2> <h2> 	<span style="font-size:16px\;"><span style="col
 or: rgb(128, 0, 128)\;"><strong>&ldquo\;Hearts of Darkness</strong><strong
 >&rdquo\;</strong></span></span></h2> <div> 	<span style="color:#000\;"><s
 pan style="font-family: arial, helvetica, sans-serif\;"><span style="font-
 size: 12px\;"><strong>Date: Thursday, January 24, 2013</strong></span></sp
 an></span></div> <div> 	<span style="color:#000\;"><span style="font-famil
 y: arial, helvetica, sans-serif\;"><span style="font-size: 12px\;"><strong
 >Location: NY NATAS, 1375 Broadway (between 37<sup>th</sup> and 38<sup>th<
 /sup> Streets), Suite 2103</strong></span></span></span></div> <div> 	<spa
 n style="color:#000\;"><span style="font-family: arial, helvetica, sans-se
 rif\;"><span style="font-size: 12px\;"><strong>Reception: 6:00-6:30 PM ~ P
 rogram: 6:30-8:00 PM</strong></span></span></span></div> <div> 	<span styl
 e="color:#000\;"><span style="font-family: arial, helvetica, sans-serif\;"
 ><span style="font-size: 12px\;"><br> 	</span></span></span></div> <div> 	
 <span style="color:#000\;"><span style="font-family: arial, helvetica, san
 s-serif\;"><span style="font-size: 12px\;"><strong>*Free to NY NATAS Membe
 rs! </strong></span></span></span></div> <div> 	<span style="color:#000\;"
 ><span style="font-family: arial, helvetica, sans-serif\;"><span style="fo
 nt-size: 12px\;"><strong>$15 for those without current NY NATAS membership
 .</strong></span></span></span></div> <div> 	<span style="color:#000\;"><s
 pan style="font-family: arial, helvetica, sans-serif\;"><span style="font-
 size: 12px\;"><br> 	</span></span></span></div> <div> 	<div id="cke_pasteb
 in"> 		<span style="color:#000\;"><span style="font-family: arial, helveti
 ca, sans-serif\;"><span style="font-size: 12px\;">&quot\;Hearts of Darknes
 s&quot\;</span></span></span></div> 	<div id="cke_pastebin"> 		<span style
 ="color:#000\;"><span style="font-family: arial, helvetica, sans-serif\;">
 <span style="font-size: 12px\;">Produced &amp\; Moderated by Sumner Jules 
 Glimcher.</span></span></span></div> 	<div id="cke_pastebin"> 		<span styl
 e="color:#000\;"><span style="font-family: arial, helvetica, sans-serif\;"
 ><span style="font-size: 12px\;"><br> 		</span></span></span></div> 	<div 
 id="cke_pastebin"> 		<span style="color:#000\;"><span style="font-family: 
 arial, helvetica, sans-serif\;"><span style="font-size: 12px\;">When Franc
 is Coppola decided to make <em><strong>Apocalypse Now</strong></em>, he hi
 red his wife Eleanor to shoot a&nbsp\;</span></span><span style="font-fami
 ly: arial, helvetica, sans-serif\;">behind-the-scenes documentary covering
  the production. &nbsp\;She was given extraordinary access&nbsp\;</span><s
 pan style="font-family: arial, helvetica, sans-serif\;">to both her husban
 d and the other key creative ensemble members, throughout the entire proce
 ss.&nbsp\;</span><span style="font-family: arial, helvetica, sans-serif\;"
 >By all accounts the making of the film was a war unto itself. &nbsp\;An o
 riginal 16 week production&nbsp\;</span><span style="font-family: arial, h
 elvetica, sans-serif\;">schedule ballooned to 265 days of principle photog
 raphy, delayed by myriad problems including a typhoon, a heart attack suff
 ered by lead actor Martin Sheen, struggles with financing, with Marlon Bra
 ndo, and with the ending of the script. &nbsp\;Eleanor shot over 80 hours 
 of film on set, and recorded countless hours of audiotape. &nbsp\;After <e
 m><strong>Apocalypse Now </strong></em>was finally released in 1979, sever
 al attempts were made to cut the documentary. &nbsp\;Eventually, the proje
 ct was abandoned. &nbsp\;Eleanor&rsquo\;s footage sat in a Zoetrope storag
 e unit for nearly 10 years, until filmmakers <strong>Fax Bahr, George Zalo
 om,</strong> and <strong>Doug Claybourne</strong> secured financing, and p
 ut together the documentary. Hearts of Darkness is an insider&rsquo\;s vie
 w of the making of <em><strong>Apocalypse Now</strong></em>, one of the mo
 st controversial films of the 1970&rsquo\;s. The 96-minute film covers the
  extraordinary story, from pre-production through its release. &nbsp\;Inte
 rviews with the principal creative team include George Lucas, Dennis Hoppe
 r, John Milius, Francis Coppola, Eleanor Coppola, Martin Sheen...</span></
 span></div> 	<div id="cke_pastebin"> 		<span style="font-family:arial,helv
 etica,sans-serif\;"><span style="font-size: 12px\;"><span style="color: rg
 b(0, 0, 0)\;"><br> 		</span></span></span></div> 	<div id="cke_pastebin"> 
 		<span style="color:#000\;"><u><strong><span style="font-family: arial, h
 elvetica, sans-serif\;"><span style="font-size: 12px\;">Director&rsquo\;s 
 Statement:</span></span></strong></u></span></div> 	<div id="cke_pastebin"
 > 		<span style="color:#000\;"><span style="font-family: arial, helvetica,
  sans-serif\;"><span style="font-size: 12px\;">&ldquo\;In choosing a story
  that transposed Joseph Conrad&rsquo\;s masterpiece &ldquo\;<strong>Hearts
  of Darkness</strong>&rdquo\; to America&rsquo\;s war in Vietnam, Coppola 
 intended to probe a dark hour of US history. &nbsp\;The upriver journey of
  Colonel Willard into the madness of the jungle, and into the depths of hi
 s own heart, was sure to strike a sensitive chord with the American psyche
 . &nbsp\;As the production snowballed into a seemingly unstoppable catastr
 ophe, Coppola&rsquo\;s personal journey began to parallel that of his main
  character. &nbsp\;<em><strong>Hearts of Darkness</strong></em> is the sto
 ry of the relentless pursuit of an artistic vision, an obsession that prof
 oundly changed the lives of everyone connected to it.&rdquo\; &nbsp\;Fax B
 ahr has written, executive produced and directed for both television and m
 otion pictures. He wrote and directed for Fox Television&rsquo\;s landmark
  comedy series <em><strong>In Living Color</strong></em>, created <em><str
 ong>Mad TV, The Jamie Kennedy Experiment, </strong></em>as well as many ot
 her series. &nbsp\;He co-wrote and produced <em><strong>Malibu&rsquo\;s Mo
 st Wanted</strong></em>. <em><strong>Hearts of Darkness </strong></em>prem
 iered at the Cannes Film Festival and won many awards, including&nbsp\;</s
 pan></span><span style="font-family: arial, helvetica, sans-serif\;">Natio
 nal Board of Review Best Documentary, National Board of Canada Best Docume
 ntary, and a&nbsp\;</span><span style="font-family: arial, helvetica, sans
 -serif\;">Best Director Emmy Award for Bahr. &nbsp\;Gene Siskel called it 
 &ldquo\;one of the best films of 1991&rdquo\;. &nbsp\;Bahr has&nbsp\;</spa
 n><span style="font-family: arial, helvetica, sans-serif\;">guest-lectured
  at <strong>University Of Southern California</strong>. &nbsp\;He currentl
 y resides in Los Angeles,&nbsp\;</span><span style="font-family: arial, he
 lvetica, sans-serif\;">where he is writing <em><strong>Defriended</strong>
 </em>, a screenplay for Escape Artists/Sony Pictures, and a mini-series&nb
 sp\;</span><span style="font-family: arial, helvetica, sans-serif\;">based
  on the life of Miguel Cervantes.</span></span></div> 	<div id="cke_pasteb
 in"> 		<span style="color:#000\;"><br> 		</span></div> 	<div id="cke_paste
 bin"> 		<span style="font-size:12px\;"><span style="font-family: arial, he
 lvetica, sans-serif\;"><span style="color: rgb(0, 128, 0)\;"><strong>RESER
 VATIONS REQUIRED DUE TO BUILDING SECURITY. ALL NAMES MUST BE ON GUEST LIST
 . Please RSVP via email info@nyemmys.org to reserve a seat. Please write &
 ldquo\;Darkness&rdquo\; in the subject line. Space is limited.</strong></s
 pan></span></span></div> </div>   <div></div></div><div>--- This iCal file
  does *NOT* confirm registration.Event details subject to change. ---</div
 ><div>--- Tendenci&reg\; Software by <a href="https://www.tendenci.com">te
 ndenci.com</a> - The Open Source AMS for Associations ---</div>
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